What I Got Out Of This Blog

When I first started writing in this blog, I wasn't quite sure what I wanted to get out of it, but I think I got more than I thought I would. I have gotten some more experience in researching a topic and delivering it to readers (though I really didn't really have any). I got to figure out how to deliver that information in an interesting way and practice making interesting titles (well more at the beginning of my blog, really) to engage perspective readers and make them actually want to read what I have to say.

Originally when I picked comic books for my topic, I didn't think that I would have so many options to write about, because like I have mentioned many times, I am not a comic book reader. Even though I knew that movies like Batman and Spider Man were based off comic books, I never really cared too much until I actually got to read and learn about the original comics.

In the end, I got to expand my knowledge on a different type of writing and art form that I never cared about before, which ultimately makes me feel like I have accomplished something; the comic book industry is so much more interesting than I could have ever expected. Now, instead of only thinking of Editing & Publishing as book based, I know that I will have the opportunity to dable in so many different types of art forms - including comic books.

How Comics Helped Me Learn About Editing & Publishing

Some of the things that I have learned about Editing & Publishing through investigating comics:

1. That if I were to work for some type of publishing agency and a manuscript falls across my desk that is basically like so many of the other things that have been popular recently, that it is okay to give it a look, because let's be honest... some of the most successful books are ones that have "jumped on the bandwagon." Comic books have shown me that superheros last forever, even when everyone else is coming up with them, they will always be popular - as long as it's a great story. Superheroes can't all be the same, but as long as it's something new and exciting, you wouldn't want to let something like that get passed you in the publishing industry.
2. I also learned that all genres have a particular audience and common aspects and details that makes a genre its own. When publishing, its important to know the fan base whatever you are looking at so that you know who the contents of that manuscript will reach, as well as the details of that manuscript so you know exactly which genre it will fall under.
3. One other thing that I learned is how important it is to look into the future when you are working in the editing and publishing industry. As publishers and editors, we are discovering and perfecting our own types of art, and it is important to think about the possible places the art you are working on might go - the big screen? a television show? a comic book? or maybe even a graphic novel.
4. The last thing I learned is that Editing & Publishing is needed in not only books, but every type of entertainment. Someone's gotta make sure that the scripts for comic books are spelled and worded correctly.

Some Of My Own Questions About Comics

Maybe some of you out there will be able to answer some of the questions that I have about comics.

1. Which comic book film adaption is considered the best one of all time (thus far)?
2. What was the first graphic novel to be published?
3. What are some of the major differences between graphic novels and comic books?
4. Is comic book art just as magnificent as the art for graphic novels?
5. Are different groups of people more interested in graphic novels than comic books?
6. Could comic books survive without a script and only artwork?
7. Will comic book film adaptions outlive comics? Or maybe even lead comics towards extinction?
8. Do you read comics before seeing the film adaptions? Or do the film adaptions aim you towards buying and reading the comics or graphic novels?
9. Do film adaptions make reading comics and graphic novels seem more appealing to people who usually don't read that sort of genre?
10. Which one is better? Comics or graphic novels?

Anyone? Anyone at all...?

The Continuing Rise Of Comic Book Films

I actually had to laugh a little to myself while reading through some articles to investigate why comic book films have risen to such great heights. In an article by Stylus in 2003, they write, "expect to see comic book adaptions featured as major studio releases at least through the summer of 2004, and possibly beyond."

If you're getting a little ahead of me here, I'm sure you've figured out why I am sitting here giggling. First of all, it is now 2012, almost 2013 really, and one thing that has completely taken over hollywood are these comic book adaptions, so the fact that they say "possibly beyond," was probably the biggest understatement of their entire existence.

Now back to the question: Why are comic book movie adaptions so freakin' popular? I think one particular reason could be because of the extreme popularity these comics had before they were movies, and once the traditional comic book nerds found out that their favorite genre was going to be turned into a numerous amount of movies, they freaked. THE GRAPHICS. THE SPECIAL EFFECTS. It would be like the comic book was coming alive on a huge screen, and boy were they right. The action scenes that these kids pictured in their heads for all of their lives would soon be seen in front of their eyes - the exact way I felt after reading all of the Harry Potter books and being able to see this world that I pictured so vividly come alive in my head.

As I talked about in a previous blog, the amount of success comic books had in the world only demonstrates the same success that the film adaptions would have in the future. Once one movie came out, the viewers wanted more, had to have more - the success of movies like Batman and Spider Man pretty much justify how the popularity of these movies would continue over time. Since the release of Superman in 1978, there have been a numerous amount of Batman movies, a Spider Man trilogy, the start of a new Spider Man saga, The Avengers, Iron Man, Captain America, The Hulk, Daredevil, Elektra, Green Lantern, Ghost Rider, Hell Boy, Justice League, Kick-Ass, The Mask, a Men In Black trilogy, Scott Pilgram Vs. The World, Watchmen, Teenaged Mutant Ninja Turtles, V For Vendetta, X Men, and so many others. Some of these I didn't even know were based off comics.

Not only do comic book fans get to see their vivid imaginations on screen, Hollywood picks some really awesome actors to portray these characters, which probably adds to their extreme popularity in the magical world of film-making.

                                     

Hutlock, Todd, and Jay Millikan. "Triumph of the Fanboy: The Rise of the Comic Book Film in Hollywood - Article - Stylus Magazine." Stylus. Stylus, 10 Nov. 2003. Web. 3 Dec. 2012.

What Makes Comics More Compelling? The Art Or The Content?

For the question stated in the title of this post, what makes comics more compelling? the art or the content, I have done a bit of research to figure this out. Going along with this Batman theme that I have started, I am going to use a review of the comic, Batman #14, because it gave me exactly what I was looking for.

This particular issue has the villain The Joker, who is very well known to those of us who have seen The Dark Knight Returns (with Heath Ledger portraying this famous character) or 1989's Batman (where he is played by Jack Nicholson).

It is mentioned in this review that though Joker's script is part of what makes him so terrifying, what really makes him so compelling is the artwork of him. Here is this particular section of Dean Stell's review:

"You're simply not going to find better art in a comic than this. Part of the scariness of Joker comes from the words in the script, but most of it is coming from how the Capullo/Glapion/Plascencia team is drawing him. My god... This is someone who would make you soil your pants if you really saw him. He's so creepy and imbalanced. You don't want any part of this guy. But this art team rules the quiet moments too. There are a lot of 'talking heads' scenes in the comic and those types of scenes rise and fall on the acting of the characters. We even get a classic Capullo splash page where he made Glapion and Plascencia ink/color tons of little drops of blood. I always wonder if Capullo warns his collaborators that such a page is coming? Do they ever play tricks like sending complex pages to the next guy in the art chain at inconvenient times? Like anniversaries? Holidays?"

With this, I would definitely have to say that what makes a comic the most compelling, is the artwork. Sure, the storylines are important too, but since comics don't go into much detail with the script, you have to rely on the artwork to really wrap you in the story. Plus, if there was no artwork or a minimal amount, that wouldn't be a very great comic - tons of details and written images are meant for novels or poetry, which definitely makes sense after reading this review.

Here is some of the artwork from this issue of Batman, so you can understand where we're coming from with this:

Batman #14

Stell, Dean. "Batman #14 - Review." Weekly Comic Book Review. Weekly Comic Book Review, 15 Nov. 2012. Web. 27 Nov. 2012.

Which Batman Do You Like Better: Michael Keaton Or Christian Bale?

So I have been asked the question: What is it about Batman, Superman, and Spider Man that make them so interpretive? And I can think of some of my own thoughts and possible answers to this question. Though I am someone who really isn't that in to superheros or comic books, I am an avid movie goer - I can't think of a better place to go than the movies. I have seen every installation of The Dark Knight Saga (mostly because Christian Bale is super attractive and plays a pretty rad Batman), I watched Smallville (a TV series about the life of Clark Kent), and I have seen all of the Spider Man movies (including the most recent and AWESOME movie: The Amazing Spider Man).

When if comes to the Batman movies, I think that they only get better over time because of the special effects and cinematography, not to mention there are so many different villains from from the original comics that they can be placed in a butt load of different movies, which brings me to my own answer: Considering the large amounts of Batman comics there are, they have enough characters, plots, and material in general to make as many films as they have, and each movie is always new and extremely exciting.

When Michael Keaton (no one can argue that Michael Keaton may have been the best Batman of all time) played Batman 1989 and again in 1992 in Batman Returns, this was the best thing to ever happen to Batman! It was new and exciting, and it makes sense that within the next 20 years it would have to be remade, like all originals from this time period. How could a director just let Batman and Batman Returns sit in a vault for the rest of forever, when there are so many new concepts, special effects, and cinematography being created that will only make this superhero even more awesome. I know I only used Batman as an example, but these things are why I believe these superheros can be interpreted in so many ways. With time comes movie evolution, and since these movies have always been such a big hit, they will only keep adding new installments. I mean, that ending of The Dark Knight Rises??? HOW CAN YOU NOT MAKE ANOTHER INSTALLMENT? I am so excited for it, if you can't tell by my obnoxious caps.

While researching for an official answer, I found an article talking about future installments for the Batman franchise. Christopher Nolan, the writer and director of The Dark Knight Saga, states:

"[The Dark Knight Rises] is the end of our take on the character. ... Batman will outlive us all, and our interpretation was ours. ... Warners will have to decide in the future what they’re going to do with him.” 

Basically. all writers and directors have their own takes on these superheros, and they will interpret them the way they wish to. With the infinitive amount of material that they have, these interpretations will live on forever.

Oh, and a final thought: While researching, I noticed Superman hasn't had a movie in literally forever, but keep calm my readers, in June 2013 Man Of Steel will be premiering in a theater near you! Who is playing Clark Kent you ask? Henry Cavill, probably someone you are not too familiar with, but he acted in Tristan + Isolde, Red Riding Hood, and Immortal. With Clark Kent always comes Lois Lane, who is going to be played by Amy Adams, who also starred in Julie & Julia, The Fighter, and Leap Year. Other actors who are going to be in this flick that you would know of include: Russel Crowe, Michael Shannon (from the best show ever, Boardwalk Empire), Diane Lane, and Kevin Costner - there's no doubt this movie is going to be awesome.

Man Of Steel (2013) Trailer I seriously got goosebumps watching this.

Directed by Zack Snyder (who also directed Watchmen)

Produced by Christopher Nolan (director of The Dark Knight Saga)

Jefferey, Peterson. "What Does the Future Hold for Batman, the 'Dark Knight' Saga and the Justice League?" Salt Lake City and Utah Breaking News, Sports, Entertainment and News Headlines. Deseret News, 1 Aug. 2012. Web. 20 Nov. 2012.

Some Popular Graphic Novels

Another sort of new, yet increasingly popular type of comic is the graphic novel, which is something I assume most of you have heard of before. Now, since I myself am not too familiar with graphic novels, the only one that I can really think of off the top of my head is Watchmen, I had to look at a website called Graphic Novel Reporter in order to find some popular ones to talk about.

So the basic idea of a graphic novel is that it has all of the panels and everything that a comic has, but instead of only being a couple of pages, it is a whole novel and story in one book. Usually, there is more of a storyline within a graphic novel, and many times movie versions of comics are turned into graphic novels later.

Just by looking at the homepage of this website, it is apparent that there are millions of types of graphic novels, which kind of intrigues me. The writers for this site talk about what's hot this fall, some of the top graphic novels today, where you can find comic book shops in your area if you have no idea where they are, and what events and conventions are happening in the comic book world. Just by looking at the slides that are at the top of the home page, I can tell that there are some really awesome graphic novels out there because the images that they use from the novel look really awesome - many of these things I would have never pictured as graphic novels, which is why I find them pretty awesome.

If you have no idea what intitels something to be considered a graphic novel or you are just looking for something new, I would definitely check out this website because the writers give you a pretty awesome in-depth analysis on their opinions of many graphic novels.

Here are some popular ones from over the past few years:

               

Digital Comics

After finding some publishers other than the big name ones like Marvel and DC, I started to think about other types of comics like graphic novels and for this post, online and digital comics. While looking around, I found this awesome website with tons of digital comics called Comixology.com. On this site, you can buy the comics, print them from your computer, and/or download them onto different devices - which i thought was pretty awesome. This website is sort of like Comcast's "On Demand" for comics, meaning you can get them they same day that they are printed and put on shelves or you can even pre-order them. They have every comic you can think of, ones from the big publishers like DC and Marvel, and even free ones (I guess this website is kind of like iTunes, too). Not only does this website hold popular comics, they also hold new ones that may not be very well known as well as graphic novels. This website is definitely something I would recommend to people who often read comics, but if you're like me with buying books from stores so that you have them physically in your hands, then you may not like digital comics too much, unless you are able to print them out.

Comic Books & Publishing

Now that I have explored a whole bunch of different, yet widely known comics, I have been wondering where new and amateur comic creators publish their work. So in other words, where can people publish comics if their art and writing isn't quite up to par for Marvel or DC yet?

Here are a few places that I found:

If you are looking for a "cool creator-owned" comic book and graphic novel publisher, then you should check out Alternative Comics. Just by looking at the homepage of their website, one can tell that these are not the types of comics that you would find in Marvel, which is why this might be the perfect place for you or your friends to publish!

And, if you are looking to submit only your artwork to a comic publisher, especially if you are an amateur comic artist, you should look into Image Comics, who have a submission page with tons of details on how to submit your artwork. Just by looking at this particular website, you should be able to tell whether your works would fit here or not.

If you're interested in finding the perfect place for a comic, I recommend looking at Comic Vine because they have an extremely large list of possible comic publishers. 

Along with this, I also found a page on Publishing Your Own Comic, which could be helpful for those of you interested in self-publishing, which is a pretty big thing now.

Why Just Have "Okay" Comic Book Art When You Can Have GREAT Comic Book Art?

With more opportunity that came during the 1970's, comic book companies like Marvel and DC strived to make their artwork even better since comic book artwork was not as critically acclaimed as it could have been. Companies were no longer looking at the morals and the way that they affected the youth, but instead they were looking at ways to enhance the comic books themselves. During this time, artists began to play with the idea of more color - changing up the art and adding more detail and a variety of colors to the comics. Although the new art was critically acclaimed, all of the comic book companies began to see a decrease in sales. Comics were still being sold on newsstands, but it was at this time that book store chains were evolving, so it made it harder to get the comics sold the way the companies wanted. As an attempt to revive the comic book industry, the companies came together and formed the Academy of Comic-Books Art (ACBA), and eventually the Comic Guild in hopes to do "for comic books what Academy Awards do for movies," as said by the creator of Spider-Man, Stan Lee.

These organizations helped comics become more widely accepted by Americans, and though the sales still saw a decline, the popularity of television gave comics the opportunity to branch out. Marvel and DC both gave out licensing for their characters in order to create the popular Saturday morning cartoons that everyone remembers so much. DC gained profits from Batman, Wonder Woman, and Superfriends series while Marvel licensed The Incredible Hulk and The Fantastic Four - Marvel even got the rights to print Star Wars comic books which helped their profit extremely. All of these cartoon series were most likely the reason for the movies considering television helped spread the word, keeping Marvel and DC as the leaders in the comic book world.

"Archetypes, Commercialism, and Hollywood." A History of the Comic Book. Random History, 18 Mar. 2008. Web. 4 Oct. 2012. <http://www.randomhistory.com/1-50/033comic.html>.

"Your Friendly Neighborhood Spider-Man."

So after WWII and the extreme skepticism of how comic books were warping the minds of our youth, Marvel decided that it was time to introduce comic book characters who showed weakness and a common life of some kind; demonstrating that not all people are perfect and that "the superhero could be you." With this concept was the creation of Spider-Man.  Written by Stan Lee and drawn by Steve Ditko, a small backstory for people who have no idea what I am talking about (which would be surprising considering the mass amount of number one films and video games) is as follows: Peter Parker was sort of a wimp before he actually became Spider-Man and what keeps him going is not revenge, but the guilt of knowing that he could have saved his Uncle Ben, who was the only father figure that he had, when he was killed. He was attending a science exhibit when he was bitten by a spider and given a bit of radioactivity - meaning he was actually given spider abilities. Unlike all of the other superheros who were around during this time, Spider-Man had no one else to talk to except himself - so none the less, he had to struggle with himself as well throughout each comic.

The original comic debuted in 1962, and it was almost not even published, but it was decided that it would be a one-time type of thing because the editor thought that readers would find the concept of spiders "distasteful." Spider-Man was threw in last minute because of the cancellation of another comic that was being published previously and eventually her helped characterize The Marvel Age. I bet that editor is happy he decided to throw him in now, huh. Later when the sales for that certain comic book came in, the numbers were outstanding and better than any other book that was previously published.

Once Spider-Man was given his own comic, Stan Lee became the editor and Jack Kirby was added to the team in order to give Spider-Man a better chance of survival. As someone who is currently located in Indiana, PA, I am not too far away from Johnstown, PA where the original inker, Steve Ditko, lived!   Getting back on topic though, like Batman and many of the other superheros in comic books, Spider-Man ends up using his powers for the good - helping all types of civilians and saving them from arch enemies like Carnage and Venom, which he can detect almost to the exact spot due to his very useful spidey-sense.

Over the years, Spider-Man has been turned in to movies, video games, and even more comic books have been written. He is a world-wide hit, and you can bet your bottom dollar that he will continue to be. Sure, I thought Spider-Man movies would be over after Spider-Man 3, but of course they came out with The Amazing Spider-Man, which was just as big of a hit as the previous films. As the years continued with the comic, several villans and characters were added - who could forget Mary Jane (Peter Parker's extreme love intrest) and Green Goblin?  I love that Spider-Man has truly proved to be timeless over the years. Like Batman, my 11 year old nephew is more in love with Spider-Man and everything he is about than any other superhero; in fact, he will be walking around his neighborhood this year in the Amazing Spider-Man costume and be the most adorable kid ever. I think its great that kids in this age can enjoy superheros like they did back in the day - I really think my nephew could teach us all a few things about Spider-Man though because one time I made the mistake of mixing up Batman and Spider-Man's arch enemies, and my goodness was that an issue. Luckily he straightened them out for me and I promised to never mix them up again. Note to self: Don'y try to act like you know what you're talking about when it comes to comic books while talking to 11 year olds.

Below is a picture of the first copy from Marvel when Spider-Man was originally introduced to the world. August 15, 1962 Amazing Fantasy #15 (notice the CCA Stamp in the corner that we had a discussion about in my previous blog???)

"Spiderman Biography." History of Spiderman. Super Hero Stuff, 2012. Web. 3 Oct. 2012. <http://www.superherostuff.com/biographies/spideybio.html>.

Fighting To Be Published

Although comic books were booming in the late 1930's and 40's, the time period after WWII was the hardest for the industry considering comics had to now compete with not only comics about new topics, but with the television industry. Comics were fighting for attention when television came into view and there was one man who was trying to shut them down for good - Dr. Fredric Wertham; also known as "The Comic Book Vilan." This man was under the impression that comic books corrupted our youth and wished to have them censored - his efforts would show a lasting effect on comic book publishing to this day. In an attempt to slow the backlashes that were coming from critical reviews of the comic books, DC began to publish the names of board members inside the cover of all DC books - these board members were well known people throughout the public and with their names on the books they promised that the comics were "held up to the standards of wholesome entertainment."

Dr. Fredric Wertham went on a seven year research fest in order to investigate the effect that comics had on children.  Once he went public with his ideas about comic books, people all over the country began to question them, and soon an article appeared in Time magazine, which featured Detroit Police Commissioner Harry S. Toy who stated that the comics were "Loaded with communist teachings, sex, and racial discrimination." Some people even said that the comic books were training kids to act like animals and that they distorted real life. Things got so intense all over the country that comic books were banned in cities and counties, and some places even held public burnings for the books; needless to say the comic book publishers were very worried that they may never recover from this.

In 1948 the Association of Comic Magazine Publishers (ACMP) was formed in order to set guidelines for comic books which would have to be approved of the ACMP board before they were published. Some big comic book publishers like DC already had their own boards though, so they did not join and some publishers even dropped out because they didn't agree with the approval guidelines.

By 1955, everything was settled. Comic book companies came together and created the Comic Magazine Association of America (CMAA), and together they came up with the Comics Code Authority (CCA) which was approved by the Senate and they were told that they were taking "steps in the right direction." The Senate also decided that Dr. Fredric Wertham's research could not be fully backed up since his research was only done on juvenile delinquents and not on all children entirely.

Today the CCA is hardly relevant because their stamps are not as large and noticeable on the covers as they once were, so instead publishing companies often put "Suggested For Mature Readers" since they still publish comics even though they don't meet the CCA requirements - Dr. Fredric Wertham is probably rolling in his grave because of this.

Coville, Jamie. "Seduction of the Innocent and the Attack on Comic Books." Seduction of the Innocent and the Attack on Comic Books. Penn State University, n.d. Web. 29 Sept. 2012. <http://www.psu.edu/dept/inart10_110/inart10/cmbk4cca.html>.

Da Na Na Na Na Na Na Na BATMAN

For those of you who may have been hiding under a rock for the past 73 years while films galore were being made about one of the most famous comics in the world, here is a small synopsis on the storyline of Batman - a very small synopsis. So basically Bruce Wayne (Batman) witnesses his parents death as a teenager and vows to avenge their death by taking down criminals. Now, unlike Superman, Batman has no super powers. He is an ordinary guy with a ripped body who was left a ton of money in which he could use to get top of the line weapons and vehicles in order to stop the mayhem and crime going on in his hometown of Gotham.

After reading the history of the comic book, I think that it is fair to give the credit of blowing up comics to the two most famous superheros in the world: Superman and Batman. In 1938, DC introduced Superman to the world, and the next year after they realized how big of a hit the idea of superheros were to consumers, they hired Bob Kane to create a superhero "as powerful and appealing as Superman." In order to find inspiration for this superhero who would also help shape the comic book world, Kane looked to Leonardo da Vinci's sketch of a man trying to fly with some type of bat wings, masked heros like Zorro, and movie about a bat faced villan called "The Bat Whisperer."

After realizing that he would not have time to both draw and write the comic, even though he had experience in both areas, he was partnered up with Bill Finger, who ended up writing all of the dialogue and collaborated with Kane. A year after Batman was first published, Kane decided to add a sidekick to the comic so that Batman would have someone to talk to, which is where Robin comes in (or Robin The Boy Wonder in 1940.) Once Robin was added, the comic book hit a new high in rating with consumers and the comic became even more popular, if that is possible, when Kane created arch enemies for Batman in which he would defeat during the comic. Popular arch enemies for Batman include the Joker, the Riddler, Penguin, Two-Face, and Catwoman. What I love most about the idea of Batman is that it has been published and republished over the years, just getting more popular with each movie and graphic novel that comes about, because I guarantee DC will only keep republishing newer versions, and movie remakes will keep being made because of this timeless superhero.

I really should have interviewed my 11 year old nephew for this, because he knows the life of Batman like the back of his hand. Here is a picture of the original copy of Detective Comics' No. 27 from May, 1939. I imagine it is quite pricey these days, and rare as can be.

"Batman's History." Batman's History. Beltmasters Direct, 2006. Web. 26 Sept. 2012. <http://www.beltmastersdirect.com/batmanhistory.htm>.

A Little History On Comic Book Publishing

As someone who doesn't know as much as they wish they did about comics, I decided to research the history of comic book publishing in order to try to pin down the reasons why comic books have been so successful over many decades. As a live human being, I obviously know about Superman, Batman, Iron Man, Charlie Brown, Garfield, and all of the other comics that have made history, as well as movies, over the years. In order for all of these movies to be successful, there had to be consumers buying the comic books, and I'm sure the movies formed more consumers who now purchase these comics since they were fans of the films. I was interested in finding the main source of publishers who are to blame for the popularity of this industry, and to my surprise I actually knew one of them. For over 50 years, Marvel and Detective Comics (DC) have been leading in the publishing industry - making comic books into graphic novels and movies in order to get their names even more well known around the world.

As far as the very well known stylistic features of a comic go, they can be traced back to the medieval broadsheet where people would carve narratives strips into wood. Back in the day, these broadsheets were used to illustrate public executions and caricatures of popular public figures - much like "The Yellow Kid" did in New York City. When comic books were first being distributed in mass quantities all over the world, they were printed on the cheapest type of paper. As far as the well known format of comics goes, "In 1933, Harry Wildenberg and Max C. Gaines (future creator of MAD magazine) folded a traditional tabloid-size comic, Funnies on Parade, in half to create the first four-color, saddle-stitched newsprint comic that would become the format of modern comic books," which was later sold and featured on the popular place of purchase for a number of years, the newsstand.

"Archetypes, Commercialism, and Hollywood." A History of the Comic Book. Random History, Mar. 2008. Web. 22 Sept. 2012. <http://www.randomhistory.com/1-50/033comic.html>.

Do You Know About The First Comic Strip?

Created by Richard Felton Outcault, the comic strip named Hogan's Alley was considered the first successful comic strip to be published. It was published in New York World in 1895 and soon the main character became most well known as "The Yellow Kid." Outcault worked at New York World for a good amount of time before moving to The New York Journal, where it was just as successful. As you can tell, "The Yellow Kid" was quite popular within New York City. The comic itself talked about class and racial tensions in the new urban society in which a group of New York City kids acted out the scenes in mischievous manners, and it seemed to be quite the hit with the community. Outcault was able to mock all the classes in a safe environment while poking fun and still keeping all the characters based on caucasians - knowing that he probably shouldn't push the bar too far. "The Yellow Kid" inspired all types of art and theatre over the course of time and Americans from all over the country knew about this comic strip. This comic strip was popular because of Outcault's satiric words and drawings that portrayed that time perfectly - never leaving out the bad things that were going on in society with the upper classes.  Here is an example of Outcault's famous "Yellow Kid."

Wood, Mary. "The Yellow Kid on the Paper Stage: Introduction." The Yellow Kid on the Paper Stage:
            Introduction. University of Virgina, 2009. Web. 19 Sept. 2012.
           <http://xroads.virginia.edu/~ma04/wood/ykid/intro.htm>.